Archive Sources Room

The sober room where the myth meets its real materials.

Citations / permissions / cultural ancestors

Operating thesis

The Sources Room keeps the Reader from floating away. It is the place where romance must make room for citations, licences, rightsholders, and gratitude.

The project can be fictional without being evasive. Its real ancestors deserve to be named.

Ledger

The real material under the fiction

Source footage shelf

  1. 1926Down at Our PondPublic domain by age
  2. 1976Forest Fire...Naturally!U.S. National Park Service
  3. 1970The Amchitka ProgramPublic Domain Mark
  4. 1938The RiverPublic Domain Mark
  5. 1936The Plow That Broke the PlainsCC0 / public domain
  6. 2005-2006U.S. Fish & Wildlife refuge filmsU.S. federal source

Listening path shelf

  1. 01sunshine recorder00:00:00-00:06:12
  2. 02music is math00:06:12-00:11:34
  3. 03julie and candy00:11:34-00:17:04
  4. 04the beach at redpoint00:17:04-00:21:23
  5. 05196900:21:23-00:25:44
  6. 06Turquoise Hexagon Sun00:25:44-00:30:52
  7. 07Happy Cycling00:30:52-00:38:44
Open film

Public-domain and federal-source moving images

The raw visual weather: classroom reels, refuge films, public-service documentaries, and government nature footage.

Traceable media
Music

Boards of Canada as north star

Not affiliation, not endorsement. A direct acknowledgment of atmosphere, memory, landscape, and tape-worn listening.

Inspiration
Design

CBC/NFB institutional clarity

The grid, the gem, the civic voice, the calm public-media surface with weather underneath.

Visual lineage
Specimens

What the room keeps

ethics

Credit Ledger

A running public list of source archives, media status, licences, and cultural references.

rule

No False Affiliation

The lore can be fictional. The relationships to real artists and institutions must be plain.

design

Beautiful Attribution

A citation should not feel like a legal footnote tacked onto a dream. It should be part of the room.

Reference Shelf

Where this room points

Lab indexHeadquarters